Table of Contents
Spring 2024 Program
How Can I Keep from Singing, arr. Gilpin
Nine Hundred Miles, arr. Philip Silvey
Soprano Practice
Alto Practice
Tenor Practice
Bass Practice
Ave Verum Corpus, Mozart arr. Dunn
Soprano Practice
Alto Practice
Tenor Practice
Bass Practice
How Lovely Is Thy Dwelling Place, Brahms
Soprano Practice
Alto Practice
Tenor Practice
Bass Practice
Festival Sanctus, by John Leavitt
Soprano Predominant
Alto Predominant
Tenor Predominant
Bass Predominant
Here Comes the Sun, George Harrison, arr. Billingsley
… and our very own performance of this, back in May, 2019…
The original Beatles track:
Note the quiet, strolling sound it starts with…
Soprano 1 Predominant:
Soprano 2 Predominant:
Alto Predominant:
Tenor Predominant:
Bass Predominant:
The Times They Are A-Changin’, Bob Dylan, arr. Matt Podd
Blue Skies, Irving Berlin, arr. Emerson
Medley from Guys and Dolls, Frank Loesser, arr. Huff
When I was looking for example performances for this, I came across this, by a high school Chamber Singers group, but it’s more of a performance piece. They are so good, I thought you might enjoy it!
Here’s a version with a more conventional chorus setting:
Here is a good JW Pepper practice track for our arrangement:
(Click on the image above to go to the track)
Seasons of Love, Rent, Jonathan Larson, arr. Emerson
Sweet Caroline, Neil Diamond, arr. Billingsley
The Parting Glass, Scottish/Irish Traditional Song, arr. Padki
The following is not our arrangement, but I couldn’t pass up this performance — it is sublime, and a great parting song for the concert!